For over thirty years drawing has been fundamental to the practice of contemporary American artist Roni Horn (b. 1955), whose work revolves around the mutability of identity and the fragility of place, time, and language. Roni Horn: When I Breathe, I Draw presents a selected survey of the artist’s drawings from the early 1980s to her most recent work on paper. The presentation explores her unique technical approach of mark-marking with dense hues of pure pigment and her dynamic process of cutting and reassembling images and language. It will include a selection of large-scale and compositionally-complex works on paper, her series of saturated cadmium red drawings and an extensive group of cut photography, text and maps. This two-part exhibition will be the first museum exhibition devoted to Horn’s drawings in the United States.
The first part of the show, on view February 15–May 5, 2019, will feature Horn’s encompassing drawings, some over ten feet tall. They belie their scale through the artist’s intricate passages of jotted notes. Marking time and consciousness, the personal notations maintain the intimacy of a whisper, pushing and pulling the viewer into and out of the large work.
The exhibition’s title evokes the integral place of drawing within Horn’s artistic practice. It is derived from the artist’s understanding that drawing is akin to “a kind of breathing activity on a daily level.”
This exhibition is organized by Senior Curator Michelle White for the Menil Drawing Institute.
Roni Horn lives and works in New York and Reykjavik. Her work has been the subject of numerous major exhibitions including Roni Horn at the Fondation Beyeler, Basel (2016); Roni Horn a.k.a Roni Horn, organized by the Tate Modern, London, which travelled to the Whitney Museum of American Art, New York, and the Institute of Contemporary Art, Boston (2009-2010). Horn received her MFA from Yale University in 1978 and her BFA from the Rhode Island School of Design in 1975. Her work is held in major collections around the world.
Major funding for the publication is provided by Hauser & Wirth.
Major funding for this exhibition is provided by The National Endowment for the Arts. Additional support comes from Suzanne Deal Booth; Clare Casademont and Michael Metz; Barbara and Michael Gamson; Diane and Michael Cannon; Christina and Norman Diekman; Gary Mercer; Scott and Judy Nyquist; Ellen and Steve Susman; the Mathew and Ann Wolf Drawings Exhibition Fund; Eddie and Chinhui Allen; Janet and Paul Hobby; Caroline Huber; the John R. Eckel, Jr. Foundation; Linda and George Kelly; Adelaide de Menil; Franci Neely; Susanne and William E. Pritchard III; Leslie and Shannon Sasser; Anne Schlumberger; Michael Zilkha; and the City of Houston